Dwegons & Leprechauns was composed and orchestrated averaging 6.5 minutes per day. After scoring 106 minutes, it was discovered that the print was in the wrong frame rate. The entire score needed to be redone. Cues like Dvargon Hell & The Battle for Dwegonland, recorded as one piece and having 88 critical hit points needed new math and

Dwegons & Leprechauns was composed and orchestrated averaging 6.5 minutes per day. After scoring 106 minutes, it was discovered that the print was in the wrong frame rate. The entire score needed to be redone. Cues like Dvargon Hell & The Battle for Dwegonland, recorded as one piece and having 88 critical hit points needed new math and Music. I got to score Tom’s film twice, and... IT WAS FUN! When we got to Reel 6 the second time, Tom called and said, “I just want you to write me a concert! You have total freedom.”

These are incredible words coming from any Director-Producer, and in this case, a Fightin’-Irish Lad who invested so much of himself across the many years!

In addition to my kids, this Music is dedicated to Tom Walsh, whose vision, inspiration and fun direction led to a Musical portrayal of his own special, Good-hearted, kid-friendly, color-filled world. Writing the Music, with my kids often watching, I knew Tom had made something from and to the Hearts of all Children... of all ages. I hope you will enjoy this Musical version of the Dwegons & Leprechauns Adventure. Thanks for listening again and again. Godspeed! Stephen Melillo